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论坛预告|自我审视——有氧颠覆与重塑

AnArtSpace 一甸艺术 2022-09-20

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 SELF EXAMINATION 

BBS THEME 

论坛主题——自我审视

【论坛嘉宾:林惠兴】



会议主持

朱峰


学术主持

惠书文、罗军


论坛时间

2018/12.15 下午19:00-23:00


论坛地点

成都市天府新区柏村艺术馆



参会人员

朱峰、惠书文、罗军、林惠兴、罗彬文、杨加勇、甘静心、仁定勇、何利平、文豪、陈伟才、冯景、袁亚辉、杜洋、徐天保、吴玥、王韦、文超、陈蜀、黄海龙、吴奇睿、幸鑫、毕华、陈胄




Aerobic subversion and remodeling





·  自我审视  ·

Self examination




艺术的魅力在于无休止的对既定成熟的惯性思维或经验进行有氧颠覆和重塑编排,对过去、现在、未来三个时间节点在个体认知转换过程中可能获得某种相关性提示的身体语义和心理结构反应等要素。一种观念和概念的掷出和抛问也是自我质疑、否定或者肯定,解构自我和建构自我则为个人场域的关系确立提供了一种新的不确定性和自由性。

The charm of art lies in the endless aerobic subversion and reconstruction of established and mature inertial thinking or experience, and in the process of individual cognitive transformation, the three time nodes of the past, the present and the future may get some correlative hints of body semantics, psychological structure response and other elements. The throwing and questioning of an idea or concept is also self-questioning, negation or affirmation, while the deconstruction and construction of the self provide a new uncertainty and freedom for the establishment of personal field relations.


LIN HUIXING ART EXHIBITION·Site

人间剧场·林惠兴工作室开放展-现场


作为独立的个体而言,当去其种族性别、身份地位、价值取向之时,保持自我审视的完整性必要之极。自我亦称自我意识或自我概念,是指个体对自己存在状态的认知,是个体对其社会角色进行自我评价、判断的结果。类如莫迪里阿尼说道:“人最大的劣根性,就是双眼都用来盯着别人和世界,难以自检。其实我们应该一只眼看世界,另一只审视自己。”一个艺术家,对自己与作品的所属关系是否明晰精准的定位把握当然至关重要,先知觉的确定性如何与你的经验发生关联?或者说你的作品是自我真实呈现吗?在我们的经验中,觉察到自己的一切而区别于周围其他的物与其他的人,这就是自我,就是自我意识。这里所说自己的一切指我们的躯体,我们的生理与心理活动。


Human Theatre·Part of works ©Lin Huixing studio

人间剧场·林惠兴工作室


As an independent individual, it is necessary to maintain the integrity of self-examination when it comes to race, gender, status and value orientation. Ego, also known as self-consciousness or self-concept, refers to the individual's cognition of his or her own existence state and is the result of the individual's self-evaluation and judgment of his or her social role. For example, modigliani said: "people's biggest bad habit is to use their eyes to stare at others and the world, which is difficult to self-check. We should see the world with one eye and ourselves with the other. An artist, of course, has a clear and accurate positioning of the relationship between himself and his work. How does the certainty of perception relate to your experience? Or is your work a true representation of yourself? In our experience, being aware of everything about ourselves that distinguishes us from everything else around us and other people, that is the self, that is self-awareness. Everything about ourselves here refers to our bodies, our physical and mental activities.


Human Theatre·Part of works ©Lin Huixing studio

人间剧场·林惠兴工作室


自我是每个人表现出来的常态,是一个人生活中的行为模式。本我是每个人的精神内核,是所有外在行为的内在驱动力,而所有的心理需求与欲望都是由本我而生。自我审视是对本体的再度认知和理解,即再分析和自问。

The self is the norm that everyone shows, the behavior pattern in a person's life. The id is the spiritual core of everyone, the internal driving force of all external behaviors, and all psychological needs and desires are born from the id. Self-examination is the re-cognition and understanding of ontology, that is, re-analysis and self-questioning.



——惠书文






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论坛议题如下

The BBS agenda is as follows




一.自我审视的重要性与个人创作关联

The importance of self-examination is related to personal creation



二.全面身体与个别心理的差异性

The difference between comprehensive body and individual psychology



三.艺术家个案——林惠兴

Artist case -- Lin huixing



四.艺术的行为模式与生活常态

The behavior pattern and normal life of art



五.批评家、策展人与艺术家的三角关系

The triangular relationship between critics, curators and artists



六.艺术、社会现实当下的自我现状

Current self-status of art and social reality



七.自我与他我的区别与联系

The difference and connection between self and him and me



八.风格形式与材料语言

Style, form and material language



九.传承与创新

Inheritance and innovation








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